LOST SYMBIOSIS x La CONCIERGE GROUP EXHIBITION

For me, "Lost Symbiosis" represents the lost connection between people, much like the idealized and perfect mother-daughter relationship. When asked how I perceive and represent our fast-paced and increasingly individualistic society, the repressed emotional and social connections, and what brings us together as humans and what divides us, my idea was to create three categories and, consequently, an installation consisting of three separate yet interconnected art pieces.

I have chosen to primarily focus on the interplay of ropes because they symbolize the connections between human beings, where each branch represents the intertwining of emotions. The outcome may not be exactly as planned, as I will let the ropes fall into place on their own, allowing them to behave intuitively and by chance. This approach reflects my view of the world.

The installation is divided into three themes. The first category is "Happiness and Joy," which represents elements that bring us together as humans. The second category is "Love," a powerful and ever-present emotion in our lives, whether it's love for life itself because we only have one or the love we show to our loved ones. Love encompasses both the love we give and receive, symbolized by a touch of red paint on the ropes and a circle of ropes on the larger square to emphasize its significance in our lives. The third category, which I also refer to as the emotional wires that divide us as human beings, focuses on the topics of "Fear" and "Mental State." In our fast-paced modern society, the culture of instant gratification often masks the personal fears that create distance between our aspirations and relationships. I've observed that each of us battles our own demons, making it challenging to truly understand the battles others face. Fear is deeply personal and individually experienced. Additionally, mental health plays a role in both dividing and connecting us. It is closely intertwined with our fears and, when combined with the pressures of individualism and the fast pace of life, can lead to feelings of isolation, anxiety, and depression. I aim to raise awareness about these aspects as well.

Regarding the colors: The frames are painted entirely in white, symbolizing the happiness of life. White, being neutral, represents the canvas of existence, ready to be filled with the vibrant colors of life and happiness. The ropes are predominantly white, except for the one that represents division and the emphasis on the individual with fear and mental state; this one will be entirely black. On the main and largest figure, there will be a circle made out of ropes, and these ropes will also be white with a small touch of red to signify love.

CONTINUO ORDINE E DISORDINE

The name derives from the idea that the work should symbolize a continuous cycle of life and the connections it entails. There is an inherent order within its apparent disorder, much like how our lives can sometimes be. I will retain the frames that I typically use for preparing my weavings; they will become an integral part of the artwork this time. This decision is meant to illustrate the cycle and the work process itself, suggesting that our fast-paced world is an ongoing endeavor and journey. Here, the focus is primarily on the path we tread and what we learn along the way, rather than fixating on the end result.

The frames are painted entirely in white, symbolizing the happiness of life. White is not merely a color; it signifies a blank canvas, ready to be filled with the vibrant hues of life and happiness.

Happiness, Love, Fear, and Mental Health

On the big frame we explore the intricate facets of human emotions, starting with happiness. Happiness encompasses the delightful memories we cherish, the pure joy we find within ourselves, and the shared happiness we experience with our loved ones. It's also present in the smallest things that often have a profound impact on our lives. Additionally, the ceaseless pursuit of happiness is a universal human endeavour. The second category delves into the celebration of love, an omnipresent and powerful emotion in our lives. Just consider the love you have for your own life, knowing you only have one to live. Love is symbolized by a touch of red paint on the ropes and the circular arrangement of ropes within the larger square, signifying its profound significance for each of us. Both topics are visually represented by a manipulated circle constructed from ropes and suspended ropes.

For the black rope connecting both frames, we shift our focus to the third category, which we refer to as "emotional wires" that connect and divide us as human beings. This category centers on the themes of fear and mental state. In our fast-paced modern society, characterized by instant gratification and the desire for rapid results, personal fears play a pivotal role in creating distance—both between our aspirations and achievements and between ourselves. The figures and the use of black rope symbolize these themes of fear and mental health, embodying the complexities and challenges inherent in our emotional well-being and interpersonal connections.

In both installations I employ wooden rectangular structures crafted in two distinct sizes, all of which are coated in a pristine white finish. Additionally, I use ropes made from nylon and cotton, available in both black and white variations. A Macrame and weaving technique is applied to create a white pattern on the surface of both rectangles.